The Naumburg Theater performed "Tom Sawyer and Huckleberry Finn" in the auditorium of the Salztor School with children from the theater education project. A TV report reports on the successful performance and shows impressive pictures from the stage. In an interview, director and set designer Katja Preuss talks about how the production came about and working with the young actors.

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For the video recording of concerts, theater performances, readings, etc., we consistently use the multi-camera method. The multi-camera recording makes it possible to capture the many areas of the event from different perspectives in the picture. We use cameras that are remote controlled. The very varied alignment of the cameras takes place from a central point. In this way, 5 or more cameras can be controlled by just one person. An entire event can be fully recorded by just one person.

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Depending on what the client wants and how the situation is on site, several cameras are also used for interviews, rounds of talks, discussion events, etc. If the questioner should not be visible in interviews with only one person, two cameras would be sufficient. However, if it is an interview or conversation situation with several people, we naturally rely on the multi-camera method. Depending on whether it is an event with an audience, remote-controlled cameras can also be used here. If interviews, conversations or discussion rounds are recorded without an audience, there is no need for a motor pan tilt.

Of course, recording events, concerts, theater performances, talks, etc. on video is only half the battle. After the video recording, the video editing inevitably follows. During the video editing, the soundtracks and audio tracks are viewed, adjusted and mixed at the same time. Additional text, image and video material as well as blurbs are also designed and integrated during the video editing. Video material from your own or other sources can be easily integrated. It is also possible to edit, mix and master the audio tracks of concert recordings.

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